{"id":1577,"date":"2011-06-28T20:43:59","date_gmt":"2011-06-29T03:43:59","guid":{"rendered":"https:\/\/dailyfilmfix.com\/?p=1577"},"modified":"2011-06-28T20:43:59","modified_gmt":"2011-06-29T03:43:59","slug":"review-transformers-dark-of-the-moon","status":"publish","type":"post","link":"https:\/\/dailyfilmfix.com\/?p=1577","title":{"rendered":"Review: TRANSFORMERS – Dark of the Moon"},"content":{"rendered":"

\"\"<\/a>\"\"<\/a>Wandering around in my local Best Buy with my two kids, I often find myself planted in front of the latest 3D television set. A reel runs on a loop showcasing the glorious effects the flat panel delivers. Sometimes my kids and I watch the loop twice.<\/p>\n

\u201cTransformers: Dark of the Moon\u201d is lot like watching that endless loop for over two hours straight. It is a carnival of top-drawer special effects on top of effects punctuated by incoherent attempts to develop a story that provides a feeble excuse for another hurricane of effects. Ultimately, the movie makes absolutely no sense. When the final battle that overcomes the entire city of Chicago takes place, viewers over the age of 12 will likely lose interest\u2014numb from the orgy of computer-generated thrills. This \u201cTransformers\u201d sequel is bigger and more exciting than the last, but certainly no better.<\/p>\n

\u201cDark of the Moon\u201d begins on the mechanical planet of Cybertron. The war between the Autobots and the Decepticons has reached a climax. The Decepticons seem to have gotten the upper hand when a ship, suitably called the Ark, disappears. That ship crash-lands on our moon, and we learn that the US\/Russian space race was primarily a cover for investigation of the Ark. Now, here\u2019s where things get a little strange. Using archived and newly created faux news footage, we learn that Buzz Aldrin and Neil Armstrong actually explored that ship while walking on the moon. In fact, the real 81-year-old Aldrin appears in the movie playing himself and meets with Optimus Prime leading NASA history buffs to no doubt bristle.<\/p>\n

Flash-forward to our time, hero Sam Witwicky (Shia LaBeouf) is living in Washington DC. He\u2019s finished college with an unnamed degree and even gotten a medal from President Obama. But for some reason he can\u2019t find a job. Is it the economy or is it that his taste for action and his unbridled arrogance prohibit him from landing at the top? Similar to others of his generation, he\u2019s not content starting in the mailroom. Sam\u2019s also picked up an impressive new girlfriend named Carly (Megan Fox replacement and Victoria Secret model Rosie Huntington-Whiteley). Even though he\u2019s landed this amazing girl and they live in a freakishly spacious apartment, Sam is restless and unhappy. After all, he\u2019s saved the world twice, nothing else, not even the mailroom, could ever compare.<\/p>\n

Meanwhile somewhere in the desert, a severely damaged Megatron (voiced by Hugo Weaving) hatches a new diabolical plan. And that plan just might give Sam a third chance to save his planet. You think?<\/p>\n

What passes for story feels very much like all the characters from the first movie are playing parodies of themselves. Everyone especially LaBoeuf is over-acting in a way that attempts to match the over-the-top special effects that surround them. This means that nothing in the film can be taken the least bit seriously. But this also means that when battles take place and things like the entire city of Chicago is destroyed, the viewer observes the well-constructed realistic images with detached interest. I could have cared less what happened. And why Chicago? Did Blagojevich have something to do with it? <\/p>\n

And this is a pity, because there are some witty and entertaining bits and gags in the script that could have worked had they been given time to breathe. But instead of wanting to expand and build the Transformers mythology, Michael Bay seems intent on tearing it down in one huge explosive conclusion. Fans get a lot of what they will be paying for. Lots of Autobot\/Decepticon fighting. Endless transformations. Shots of Ms. Huntington-Whiteley\u2019s perfect backside. Ken Jeong and John Malkovich chewing scenery. Frances McDormand playing tough and being \u201cromanced\u201d by a ridiculous John Turturro while being protected by a scary and tweaked Alan Tudyk. And the list goes on and on. What\u2019s missing is a point to it all. <\/p>\n

A sad attempt to pull everything together is built around a character named Sentinel Prime voiced by Leonard Nimoy. And early in the film, we see archived footage of a much younger Nimoy playing Spock in the original \u201cStar Trek\u201d series. Later as Sentinel Prime\u2019s dialogue gets ever more silly, I believe he actually says \u201cthe needs of the few outweigh the needs of the many.\u201d I couldn\u2019t believe it. It is an exact rebuke of probably the most significant line of dialogue ever uttered in the \u201cStar Trek\u201d universe. In the 1982 film \u201cThe Wrath of Khan,\u201d Nimoy, playing Spock, says right before his death, that logically the needs of the many outweigh the needs of the few, or the one. Many tears were shed in the dark by Star Trek fans the world over. <\/p>\n

Obviously, the \u201cDark of the Moon\u201d writer, Ehren Kruger, knows that he is mocking Star Trek, but he\u2019s not making some \u201cNaked Gun\u201d parody here. Perhaps even more disturbing is when the real Buzz Aldrin plays himself and says that he is \u201chonored\u201d to meet Optimus Prime, who naturally says the honor is all his. Does this cheapen the moon shot and our space race history?<\/p>\n

Unlike \u201cWatchmen\u201d that uses real historical events to construct a parallel universe that is never meant to be ours, \u201cTransformers\u201d blurs the line and the effect might be to confuse young viewers about historical events. It might not surprise you that former \u201cTransformers\u201d hottie Megan Fox allegedly lost her job on this film and was replaced by the less curvaceous Huntington-Whitely for recklessly comparing director Michael Bay to Hitler. But such political correctness is called into question when a movie like \u201cDark of the Moon\u201d that is meant to play broadly and appeal to young people uses and even perverts history. It shouldn\u2019t shock us then that those kids grow up with little understanding of the depth and meaning of past significant historical events and figures. Aldrin, who has been parodied before, certainly doesn\u2019t want his legacy to be that embarrassing scene with a robot, does he? I\u2019d rather remember him walking on the moon. But alas, since that footage isn\u2019t in 3D, there has come a time when that landmark accomplishment isn\u2019t exciting enough for today\u2019s youth. It\u2019s ho-hum next to Megatron and Optimus Prime duking it out.<\/p>\n

I suppose the saving grace here is that \u201cDark of the Moon\u201d is so ridiculous that anyone over the age of 12 will not likely take it as a history lesson. But that isn\u2019t a reason to see the movie. The collection of special effects on display here are destined to be added to that 3D reel at your local Best Buy.<\/p>\n","protected":false},"excerpt":{"rendered":"

A special effects carnival not meant as a history lesson.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-1577","post","type-post","status-publish","format-standard","hentry","category-reviews","no-thumb"],"_links":{"self":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts\/1577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1577"}],"version-history":[{"count":1,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts\/1577\/revisions"}],"predecessor-version":[{"id":1581,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts\/1577\/revisions\/1581"}],"wp:attachment":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}