{"id":4789,"date":"2017-11-24T09:19:46","date_gmt":"2017-11-24T16:19:46","guid":{"rendered":"https:\/\/dailyfilmfix.com\/?p=4789"},"modified":"2017-11-24T09:19:46","modified_gmt":"2017-11-24T16:19:46","slug":"review-coco","status":"publish","type":"post","link":"https:\/\/dailyfilmfix.com\/?p=4789","title":{"rendered":"Review: COCO"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-4790\" src=\"https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2017\/11\/coco1-208x300.png\" alt=\"\" width=\"208\" height=\"300\" srcset=\"https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2017\/11\/coco1-208x300.png 208w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2017\/11\/coco1-400x576.png 400w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2017\/11\/coco1.png 447w\" sizes=\"auto, (max-width: 208px) 100vw, 208px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-4488\" src=\"https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2017\/07\/fixbutton.gif\" alt=\"\" width=\"100\" height=\"112\" \/>After the lightweight cash grab that was this summer\u2019s weak \u201cCars 3,\u201d for inspiration, Pixar appropriates the Mexican holiday Dia de los Muertos (The Day of the Dead). The result is a blunt, manic film that is worthy of their award-winning canon, but not as important as it should have been.<\/p>\n<p>When the young Miguel (voiced by Anthony Gonzalez) tries to embrace his love for music, his grandmother and relatives forbid him to do so. Generations earlier, Miguel\u2019s ancestor left his family in order to pursue a career as a musician. Therefore, music has been banned in his household. Of course, this ban only makes Miguel pursue that which is forbidden even more. In time, he runs away only to find himself traveling back to the actual Land of the Dead in pursuit of answers to a nagging family mystery.<\/p>\n<p>Surprisingly, the problems with \u201cCoco\u201d are partially rooted in mass audience unfamiliarity with the Day of the Dead celebration. While I\u2019m sure that some viewers will have cultural basis upon which to draw, I only knew of the holiday based on the artwork that often included colorful skulls. And the \u201cCoco\u201d script does not acquaint us with enough context from which to understand the traditions.<\/p>\n<p>So, when Miguel is spirited off to the Land of Dead, very little distinguishes it from other animated fantastical realms. It is frustrating as Miguel, who is not yet a member of the Dead community, has to conceal himself and is later pursued by his dearly departed relatives that have taken up residence in this odd place. From what I was able to gather, when you die, your spirit is transported to the Land of the Dead, where you look like you looked when you died only you are a skeleton version of your former self.<\/p>\n<p>The governmental structure of the place is completely inconsistent. Famous singer and movie star Ernesto de la Cruz (voiced by Benjamin Brett) appears to run some kind of fiefdom. He lives in a palace of some sort where he throws marvelous parties. The skeleton inhabitants eat, drink, and make merry even though they don\u2019t seem to have any reason to require food. The source of de la Cruz\u2019 great wealth is directly tied to the land of the living where tributes are placed at his grave that can be used in the Land of the Dead.<\/p>\n<p>From a narrative and animation standpoint, the Land of the Dead plays fast and loose with the perceived \u201crules\u201d of Dia de los Muertos. By culturally appropriating the holiday, director\u2019s Lee Unkrich and Adrian Molina appear to be unrestrained in building their own universe on top of it. Therefore, we get a strange town in the Land of the Dead, where all the residents literally worship de la Cruz. This weird place has television cameras and convenient technology when the plot requires it. The resolution of the mystery isn\u2019t very clever, which is a real shame.<\/p>\n<p>What\u2019s missing is a wonderful Pixar montage that sets up the story in an emotionally connective way (\u201cUp\u201d and \u201cWALL-E\u201d can be cited as superior examples). Sure, we learn about Miguel\u2019s family, but the key missing contextual elements are establishment of the rules of the Dia de los Muertos holiday. This permits the writers at any given moment to merely invent things, like a flying dragon-like spirit animal, or provide de la Cruz with an army of bodyguards (wearing, I kid you not, black suits and earpieces). The constantly transforming kaleidoscope of imagery is colorful and, at times, fun, but manically distracting at other times.<\/p>\n<p>Thankfully, the frayed story elements are pulled together in \u201cCoco\u2019s\u201d conclusion, that will leave you with a lump in your throat. It\u2019s just that getting there is not nearly worthy of the genuine sentiment ultimately evoked.<\/p>\n<p>For a production company that built its empire upon talking toys, my complaints that \u201cCoco\u201d isn\u2019t concrete enough may come off as foolish. But where \u201cToy Story\u201d made you understand and appreciate in a very tangible way the world inhabited by Woody and Buzz, \u201cCoco\u201d is relatively weightless. And this means that the film shares more in common with this year\u2019s other Pixar entry \u201cCars 3\u201d rather than its last great film 2015\u2019s \u201cInside Out.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Manic and Inconsistent<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-4789","post","type-post","status-publish","format-standard","hentry","category-reviews","no-thumb"],"_links":{"self":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts\/4789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4789"}],"version-history":[{"count":1,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts\/4789\/revisions"}],"predecessor-version":[{"id":4792,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts\/4789\/revisions\/4792"}],"wp:attachment":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}