{"id":7188,"date":"2019-04-02T10:58:01","date_gmt":"2019-04-02T14:58:01","guid":{"rendered":"https:\/\/dailyfilmfix.com\/?p=7188"},"modified":"2019-04-02T11:03:11","modified_gmt":"2019-04-02T15:03:11","slug":"review-the-aftermath","status":"publish","type":"post","link":"https:\/\/dailyfilmfix.com\/?p=7188","title":{"rendered":"Review: THE AFTERMATH"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"192\" height=\"300\" src=\"https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2018\/08\/Man-and-Camera-NO-FIX-5-10-1-192x300.png\" alt=\"\" class=\"wp-image-5902\" srcset=\"https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2018\/08\/Man-and-Camera-NO-FIX-5-10-1-192x300.png 192w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2018\/08\/Man-and-Camera-NO-FIX-5-10-1-656x1024.png 656w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2018\/08\/Man-and-Camera-NO-FIX-5-10-1-768x1198.png 768w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2018\/08\/Man-and-Camera-NO-FIX-5-10-1-400x624.png 400w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2018\/08\/Man-and-Camera-NO-FIX-5-10-1-433x675.png 433w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2018\/08\/Man-and-Camera-NO-FIX-5-10-1-692x1080.png 692w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2018\/08\/Man-and-Camera-NO-FIX-5-10-1.png 861w\" sizes=\"auto, (max-width: 192px) 100vw, 192px\" \/><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"202\" height=\"300\" src=\"https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2019\/04\/theaftermath1-202x300.jpg\" alt=\"\" class=\"wp-image-7189\" srcset=\"https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2019\/04\/theaftermath1-202x300.jpg 202w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2019\/04\/theaftermath1-400x593.jpg 400w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2019\/04\/theaftermath1-455x675.jpg 455w, https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2019\/04\/theaftermath1.jpg 674w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/figure>\n\n\n\n<p>\u201cThe Aftermath\u201d is off to a promising start.&nbsp;&nbsp;<br><br>Small boy on train is reading aloud from a booklet aimed at Brits adapting to living in postwar Germany, among their beaten foes. &nbsp;&nbsp;\u201cDon\u2019t fraternize,\u201d the kid keeps repeating, stumbling over the word.<br><br>It\u2019s late fall, 1946.&nbsp; Pulling into Hamburg, the train lets out Rachel, a beautiful, yet haunted-looking member of that sad club known as The Wives of the Men Already in Germany, i.e. &nbsp;high-level officers from the victorious nations &nbsp;set to repair what can be repaired in the former Reich.<br><br><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2019\/04\/theaftermath2-1024x683.jpg\" alt=\"\" class=\"wp-image-7190\"\/><figcaption><strong>Alexander Skarsg\u00e5rd, Keira Knightley and Jason Clarke star in post-WWII drama.<\/strong><\/figcaption><\/figure>\n\n\n\n<p><br>Rachel is NOT about to fraternize with any evil Nazis; they killed her only child in a bomb raid , and they kept her war-fighting husband away for years.&nbsp; Oddly, husband Lewis shows compassion for the survivors of the 1943 firebombing&nbsp; of Hamburg, to the point that he suggests he and Rachel share &nbsp;the patrician villa he has requisitioned with the owner.&nbsp; &nbsp;&nbsp;Herr Lubert, an architect, and his teen daughter Freda, &nbsp;who would otherwise be packed off to some camp, are \u201cgood Germans\u201d, Lewis promises: &nbsp;Just a matter of weeks before the man gets his <em>Persilschein<\/em>, the certificate of clearance from Nazi-involvement that will restore the homeowner to his upper-class lifestyle and job. &nbsp;<br><br>Stefan Lubert is blond, good-looking, and of aristocratic bearing. His manners, when showing off his beautiful house on Elbchauss\u00e9e, where the titled and monied lived, are impeccable. &nbsp;Plus, he\u2019s played by Alexander Skarsg\u00e5rd, irresistible in homemade sweaters.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" src=\"https:\/\/dailyfilmfix.com\/wp-content\/uploads\/2019\/04\/theaftermath4-200x300.jpg\" alt=\"\" class=\"wp-image-7192\"\/><figcaption><strong>Alexander Skarsg\u00e5rd and Keira Knightley in the film THE AFTERMATH. Photo by David Appleby. \u00a9 2019 Twentieth Century Fox Film Corporation All Rights Reserved<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<p>With Rachel played &nbsp;by Keira Knightley and Jason Clarke co-starring as Lewis, all the earmarks &nbsp;of a satisfying chick-flick are there: gorgeous heroine, stuck with plodding, work-obsessed husband, meets amazing stranger, and is tempted by forbidden love.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p>The set-up of \u201dThe Aftermath\u201d is intriguing and takes its time.&nbsp; &nbsp;This little known aspect of World War II is fascinating.&nbsp; In Germany it became taboo to speak of the incineration of Hamburg, and the Allied Forces didn\u2019t volunteer information, &nbsp;perhaps out of shame since most of the victims were women and children who either suffocated in shelters or were burned to a crisp in seconds.<\/p>\n\n\n\n<p><br>Much is made of the secondary characters \u2013 the Lubert staff, who sense Rachel is not to the manor born (\u201dshe\u2019s making herself at home, like a maggot in the bacon\u201d huffs the housekeeper); the zealous intelligence major and his gossipy wife; &nbsp;the motherless Freda, hanging out with feral orphans. Some of them flash the ominous 88 sign. (Hint: H is the eight letter of the alphabet.)<br><br>Then wham, Stefan and Rachel start an affair for the simple reason that they are too good-looking not to.<br><br>This is where \u201dThe Aftermath\u201d &nbsp;The Movie lost me.&nbsp; Maybe because I had read \u201dThe Aftermath\u201d The Book, which is an exciting, moving novel by Welsh author Rhidian Brook.&nbsp; He also wrote the screenplay, with Anna Waterhouse and Joe Shrapnel, turning it into an angsty &nbsp;showcase for Keira Knightley. It can\u2019t have been fun, especially &nbsp;since Brook\u2019s original story has two male protagonists, Lewis and Stefan, instead of needy, conventional Rachel. &nbsp;<br><br>Rhidian Brook based his book on stories about his grandfather, known as the Governor of Hamburg. In 1946, Walter Brook requisitioned a house in Hamburg for his family and allowed the owners to remain in the house. For five years, a German and a British family shared a home. This was unheard of.&nbsp;<br><br>Director James Kent glams up his lead actors in silk and cashmere, but the lovers\u2019 story becomes so banal and flat-out boring, your mind starts to wander.&nbsp; How could the tiny overnight bag Rachel arrived with contain so many party dresses and fancy shoes?&nbsp; &nbsp;Six year\u2019s of war, and Stefan\u2019s sweaters have remained moth-free. How?&nbsp; \u201dThe Aftermath\u201d The Book could have been turned into a terrific TV series.&nbsp; No one ever considered this? And was there no way the book\u2019s super-interesting plot-twist could have been included?<br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mercy sounds off on post-WWII love triangle.<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[854,908,979,1322],"class_list":["post-7188","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-alexander-skarsgard","tag-jason-clarke","tag-keira-knightley","tag-the-aftermath","no-thumb"],"_links":{"self":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts\/7188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7188"}],"version-history":[{"count":3,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts\/7188\/revisions"}],"predecessor-version":[{"id":7195,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=\/wp\/v2\/posts\/7188\/revisions\/7195"}],"wp:attachment":[{"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyfilmfix.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}