I was “Twilighted” on Wednesday night. The instant the film started, fans roared. The opening shot features full-frontal (that is shirtless) Taylor Lautner and girls cooed. Clunky dialogue elicited belly rolls from everyone. And, by the way, nothing really happens for almost 2 hours.
“Breaking Dawn, Part 1” is a bad film, a self-aware one, for sure, but a bad one none-the-less. A legion of fanged-out fanatics will rally behind it for one tremendous weekend and it will have some limited legs leading to boffo overall box office performance, but little lasting impression will be left on viewers. In fact, in 20 years, the young viewers who went gaga over this series will likely be wracked with embarrassment when revisiting the films on Ultraviolet or whatever digital format rules the marketplace.
Story here is secondary to the glam shots of super-models sporting perfect hair and makeup even when in the throws of vicious combat. It starts with a wedding—the vampire, Edward, marries the human, Bella. After an odd, but story-book (with Grimm’s Fairy Tale flavor), ceremony, Bella and Edward take off to Rio where they eventually hole up on a remote island for some inter-species love-making. The central issue is whether Bella will remain a human or submit to becoming a blood-sucker.
Well, after a couple weeks on the island, Bella feels something stirring within her. She’s still human, but in her womb there’s something that might not be. The race is on, and strangely in the hundreds if not thousands of years of vampire mythology, a human/vampire off-spring is unique. Like most everything in the Twilight universe the story exists on the preposterous foundation that it is breaking new ground. I found the search for answers to Bella’s predicament to be less than credible. It is laughable when Edward searches the Internet for answers.
In order to get everything in under two hours, Bella’s pregnancy is speedy. Although many days, if not week’s pass, it seems like overnight she goes from a slender healthy 18 year-old to an 8 to 9 month pregnant woman who looks as though she’s a chronic methamphetamine user. And to be fair, the transformation is effective. In a movie littered with wooden and down-right poor performances, Kristen Stewart gives the best of the worst. As she becomes twisted both emotionally and physically, I found myself somewhat affected by her plight. If only the melodrama that surrounds her was more convincing, I may have engaged with Bella’s heartfelt fight to save the unborn child within her. In a way, the story reminded me of a lighter, more teen-friendly, version of Paul Solet’s horror film “Grace.”
But the biggest crime committed by “Breaking Dawn, Part 1” is that it is boring. Much of the action takes place in the Cullen’s rural modern mansion and Bella spends much of her time relegated to a couch while the other characters wring their hands and walk pensively around her. The conclusion is a bit anti-climatic and feels understandably incomplete given the fact that this film is the final book in the series divided into two parts.
The separation of the final book into two movies is a transparent attempt to understandably get the most return out of the franchise and the second installment can be seen next year. It is worth noting that “Twilight” has been a wonderful money-maker for distributor Summit mainly because they’ve been made on modest budgets. The last two films have budgets reportedly well over $100 million. And judging from this film, I’m not sure where the money went. The cinematography is mighty fine having been captured on film by Guillermo Navarro, who won the Oscar working with the other Guillermo on “Pan’s Labyrinth.” The direction is by another Oscar winner, Bill Condon, who is also handling “Part 2.” It is important that he is not credited with writing here.
Aside from bringing the film in on schedule, I’m not sure what a heavy-hitter like Condon added to the series. Certainly, his contribution isn’t nearly as noticeable as the different approaches taken by the various directors that helmed the “Harry Potter” series. Perhaps, Condon’s genius is in not disturbing the flow of the adaptation of the “Twilight” tomes on the big screen.
“Breaking Dawn, Part 1” is a yawner for anyone not firmly inserted into the “Twilight” universe.