Review: AQUAMAN
Jonathan thinks the story is all wet, but the effects are worth seeing.
Review: MARY POPPINS RETURNS
Disney revisits one of Walt’s most celebrated works in rousing follow-up to 1964 film.
Review: MORTAL ENGINES
There’s a reason why Peter Jackson is not the director of this mess.
Review: SPIDER-MAN: INTO THE SPIDER-VERSE
Jonathan gushes over the latest evolution in the Spider-Man universe.
Review: THE FAVOURITE
Mercy Sandberg-Wright finds this awards contender delicious.
Review: BEN IS BACK
The latest boy-in-peril film is the weakest of the bunch.
Review: BORDER (Gräns)
Sweden’s foreign language entry might be this year’s most unusual film.
Review: TYREL
Sebastián Silva’s dude-bro, rambling romp hits close to home.
Review: ROMA
Alfonso Cuarón’s first film since 2013’s Gravity might be his best yet.
Review: CAN YOU EVER FORGIVE ME?
Mercy Sandberg-Wright encourages you to seek out new film about infamous forger and writer Lee Israel.